This is the basic pattern of all the Indian alphabets, and as can be seen, they are arranged on a very rational basis. First come the vowels (discussed below), followed by the pure nasal. Next come the definite consonants with their corresponding nasal sounds. These are organised according to their place of articulation, beginning with the gutturals pronounced at the back of the mouth, and ending with those articulated on the lips. Then come the indefinite consonants. There are five main difficulties for those unfamiliar with the Indian languages, which will be dealt with here.

Unlike English, for instance, the vowel system in Pàëi is very precise, with one letter representing one sound only. Further the vowels are either short or long, with the latter being exactly twice as long as the former. It is important to distinguish the lengths of the vowels correctly, as a, for example, is a negative prefix; but à is an intensifier (ananda means unhappy; ànanda means very happy). As a guide for the English reader:

The second and fourth letters in the consonant section of the alphabet (kha gha cha jha etc.), are digraphs representing the aspirate sound of the preceding consonant (ka ga ca ja etc.). They are pronounced as the latter, but with a strong breath pulse. Again, these must be distinguished (kamati, for example, is not khamati). Note that simple ca is pronounced as in change, cha is the same with a stronger breath pulse.

In Pàëi ña ñha óa & óha are pronounced with the tongue behind the dental ridge, giving a characteristic hollow sound. The sounds ta tha da & dha are pronounced with the tip of the tongue on the teeth. In English ta & da etc. are about halfway between the two, so move the tongue back for the first group, and forward for the second. Note that tha is never pronounced as in they or their, but is the aspirate of ta.

The nasal sounds are all distinguished according to their place of articulation. This in practice causes few problems when the nasal is in conjunction with one of its corresponding consonants. But some of them (¤a õa na & ma) occur by themselves also, so again they must be recognised and pronounced according to their correct position. The sound of each can be found by pronouncing them before a member of their group, e.g. first ï as in ink. The pronunciation of ¤a is as in canyon, or the Spanish word se¤or. The letter ü represents the pure nasal which is sounded when the air escapes through the nose only.

Double consonants must be clearly articulated as two sounds, not merged into one, as is the tendency in European languages. When there is a double consonant it may help to imagine a hyphen between the two letters and pronounce accordingly. Therefore sut-taü, not sutaü (or såtaü); bhik-khu, not bhikhu (or bhãkhu) etc.

To get a feel for the pronunciation and rhythm of the language it is strongly advised that beginners join in group chanting with people who are experienced in the language until they are able to manage the correct pronunciation by themselves. This will also help in familiarising students with certain basic texts.

Below is a guide to the correct pronunciation of the language, summarising the points discussed above, together with some further information regarding articulation.