)
).In the Kevaddhasutta (Dígha i,11 <D.i,223>), it is said that the question 'Where do the four mahábhútá finally cease?' is wrongly asked, and that the question should be 'Where do [the four mahábhútá] get no footing? Where do náma and rúpa finally cease?' Matter or substance (rúpa) is essentially inertia or resistance (see Dígha ii,2 <D.ii,62>[9]), or as the four mahábhútá it can be regarded as four kinds of behaviour (i.e. the four primary patterns of inertia -- see NÁMA). Behaviour (or inertia) is independent of the particular sense-experience that happens to be exhibiting it: a message in the Morse code (which would be a certain complex mode of behaviour) could be received in any sense-experience (though seeing and hearing are the most usual). In any one kind of sense-experience there is revealed a vast set of various behaviours, of various patterns of inertia; and in any other contemporary sense-experience there is revealed a set that, to a great extent, corresponds to this first set.[a] (One particular group of behaviours common to all my sense-experiences is of especial significance -- it is 'this body',
| ayam káyo rúpí catummahábhútiko | this body composed of matter, of the four great entities |
[Majjhima viii,5 <M.i,500>].) Thus, when I see a bird opening its beak at intervals I can often at the same time hear a corresponding sound, and I say that it is the (visible) bird that is (audibly) singing. The fact that there seems to be one single (though elaborate) set of behaviours common to all my sense-experiences at any one time, and not an entirely different set for each sense, gives rise to the notion of one single material world revealed indifferently by any one of my senses. Furthermore, the material world of one individual largely corresponds to that of another (particularly if allowance is made for difference in point of view), and we arrive at the wider notion of one general material world common to all individuals.[b] The fact that a given mode of behaviour can be common to sense-experiences of two or more different kinds shows that it is independent of any one particular kind of consciousness (unlike a given perception -- blue, for example, which is dependent upon eye-consciousness and not upon ear-consciousness or the others); and being independent of any one particular kind of consciousness it is independent of all consciousness except for its presence or existence. One mode of behaviour can be distinguished from another, and in order that this can be done they must exist -- they must be present either in reality or in imagination, they must be cognized. But since it makes no difference in what form they are present -- whether as sights or sounds (and even with one as visible and one as audible, and one real and one imaginary) --, the difference between them is not a matter of consciousness.[c] Behaviour, then, in itself does not involve consciousness (as perception does), and the rúpakkhandha is not phassapaccayá (as the saññákkhandha is) -- see Majjhima xi,9 <M.iii,17>. In itself, purely as inertia or behaviour, matter cannot be said to exist. (Cf. Heidegger, op. cit., p. 212.) And if it cannot be said to exist it cannot be said to cease. Thus the question 'Where do the four mahábhútá finally cease?' is improper. (The question will have been asked with the notion in mind of an existing general material world common to all. Such a general world could only exist -- and cease -- if there were a general consciousness common to all. But this is a contradiction, since consciousness and individuality [see SAKKÁYA] are one.) But behaviour can get a footing in existence by being present in some form. As rúpa in námarúpa, the four mahábhútá get a borrowed existence as the behaviour of appearance (just as feeling, perception, and intentions, get a borrowed substance as the appearance of behaviour). And námarúpa is the condition for viññána as viññána is for námarúpa. When viññána (q.v.) is anidassana it is said to have ceased (since avijjá has ceased). Thus, with cessation of viññána there is cessation of námarúpa, and the four mahábhútá no longer get a footing in existence. (The passage at Saláyatana Samyutta xix,8 <S.iv,192>,
| ...bhikkhu catunnam mahábhútánam samudayañ ca atthagamañ ca yathábhútam pajánáti, | ...a monk understands as they really are the arising and ceasing of the four great entities. |
is to be understood in this sense.) From the foregoing
discussion it can be seen that in order to distinguish
rúpa from náma it is only
necessary to separate what is (or could be) common to two or
more kinds of consciousness from what is not. But care is
needed. It might seem that shape is
rúpa and not náma since it is
present in both eye-consciousness and body-consciousness
(e.g. touching with the fingers). This, however, is
a mistake. Vision is a double faculty: it cognizes
both colour and shape (see FUNDAMENTAL STRUCTURE
§§I/4 & II/8). The eye touches what
it sees (it is only necessary to run the eye first
across and then down some vertical lines or bars to discover
this), and the result is coloured shapes. The eye is
capable of intentional movement more delicate even than the
fingers, and the corresponding perception of shapes is even
more subtle.[d] Similar
considerations apply, though in a much lesser degree, to
hearing (and even to taste and to smell) where perception of
shape, when present (however vaguely), corresponds to
movement, real or imaginary (which will include the
directional effect of two ears), of the head or of the entire
body.[e] But provided different
kinds of consciousness are adequately distinguished, this
method gives a definite criterion for telling what is matter
from what is not. It is consequently not necessary to look
for strict analysis of the four
mahábhútá: provided only that our
idea of them conforms to this criterion, and that they cover
all the primary modes of matter, this is all that is needed.
Thus it is not necessary to look beyond the passage at
Majjhima xiv,10 <M.iii,240> for a definition of
them. (It is easy, but fatal, to assume that the Buddha's
Teaching is concerned with analysis for its own sake, and
then to complain that the analysis is not pushed far enough.)
A human body in action, clearly enough, will present
a behaviour that is a highly complex combination of these
primary modes: it is behaviour of behaviour, but it still
does not get beyond behaviour. (It is important to note that
the laws of science -- of biochemistry and physics in
particular -- do not cover behaviour (i.e. matter)
associated with conscious [intentional] action.)[f]
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Footnotes:
[a] Mind-experience is not considered in this Note to avoid complication. It is not, however, essentially different. See MANO [c]. [Back to text]
[b] Natural science, in taking this concept as its starting-point and polishing it a little to remove irregularities, has no place for the individual and his sense-experience (let alone mind-experience or imagination); for the material world of science is by definition utterly without point of view (in relativity theory every point is a point of view, which comes to the same thing), it is uniformly and quite indifferently communal -- it is essentially public. Consciousness, intention, perception, and feeling, not being public, are not a part of the universe of science. Science is inherently incapable of understanding the nature of material change due to conscious action -- which is, concisely, reflexive exercise of preference for one available mode of behaviour (or set of them) at the expense of the others. (Quantum physics, in hoping to reinstate the 'observer' -- even if only as a point of view --, is merely locking the stable door after the horse has been stolen.) [Back to text]
[c] A visual and an auditive experience differ in
consciousness (whether or not they differ in matter); but
between two different visual (or auditive) experiences the
difference is in matter (or substance, or inertia) and not in
consciousness. [At this point the question might be asked,
'What is the material difference between the simple
experiences of, for example, a blue thing and a red thing
(ignoring spatial extension)?' The immediate answer is that
they are simply different things, i.e. different
inertias. But if it is insisted that one inertia can only
differ from another in behaviour (i.e. in
pattern of inertia) -- in other words, that no inertia
is absolutely simple --, we shall perhaps find the
answer in the idea of a difference in frequency. But
this would involve us in discussion of an order of structure
underlying the four mahábhútá.
See FUNDAMENTAL STRUCTURE
[j].] Thus it will be observed that all difference in
appearance (náma) is difference in either
consciousness (viññána) or matter
(rúpa). Why is this? Neither consciousness nor
matter, by itself, can appear (or be manifest); for
consciousness by itself lacks substance or specification --
it is pure presence or existence without any thing
that is present (or exists) --, and matter by itself
lacks presence or existence -- it is pure substance or
specification, of which one cannot say 'it is' (i.e.
'it is present [or absent]'). Appearance or
manifestation must necessarily partake of both consciousness
and matter, but as an overlapping )).
[d] Strictly, the shapes are there before the eyeball is moved, just as the hand perceives the shape of an object merely by resting on it; movement of the eyeball, as of the fingers, only confirms the perception and makes it explicit. This does not matter: we are concerned only to point out the similarity of the eye and the hand as both yielding perceptions of shape, not to give an account of such perceptions. [Back to text]
[e] This discussion, it will be seen, makes space a secondary and not a primary quality (see NÁMA [d]): space is essentially tactile (in a wide sense), and is related to the body (as organ of touch) as colours and sounds (and so on) are related to the eye and the ear -- indeed, we should do better to think of 'spaces' rather than of any absolute 'space'. Space, in fact, has no right to its privileged position opposite time as one of the joint basic determinants of matter: we are no more entitled to speak of 'space-(&-)time' than we are of 'smell-(&-)time'. Time itself is not absolute (see PATICCASAMUPPÁDA [c] & FUNDAMENTAL STRUCTURE §II/5), and material things, as they exist, are not 'in' time (like floatage on a river), but rather have time as their characteristic; space, however, besides not being absolute, is not, strictly, even a characteristic of matter. On the other hand, our first four sense-organs are each a part of the body, which is the fifth, and space does hold a privileged position relative to colour, sound, smell, and taste. Thus we sometimes find in the Suttas (e.g. Majjhima vii,2 <M.i,423>) an ákásadhátu alongside the four mahábhútá; and for practical purposes -- which is ultimately all we are concerned with -- space can be regarded as a quasi-material element. But the Milindapañha has no business whatever to put ákása together with nibbána as asankhata. [Back to text]
[f] Pace Russell: 'Physical things are those series of
appearances whose matter obeys the laws of physics'.
Op. cit., VIIIth Essay, §xi.
[Back to text]